Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras by Nikon
Exclusive Nikon Silent Wave Motor (SWM).Focus to twenty inches for extended versatility.One-lens solution adept in a vast variety of situations.Two Extra-low Dispersion (ED) parts; three aspherical lens components.Nikon VR II (Vibration Reduction) image stabilization. The Nikon 18-200mm VR II lens is outstanding one-lens answer--adept in a broad variety of scenarios. It ships 11x zoom versatility, for a picture attitude equivalent of a 27-300mm lens in 35mm format. Nikon VR II (Vibration Reduction) image stabilization Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at as much as 4 shutter speeds slower than would differentwise be that that you can imagine, assuring dramatically sharper pictures. Two Extra-low Dispersion (ED) components Offers superior sharpness and color correction through successfully minimizing chromatic aberration, even at broad aperture surroundingss. Three aspherical lens elements Virtually do away withs coma and other aberrations, even at large apertures. Zoom lock switch Secures lens barrel at its minimal size. Nikon Super Integrated Coating (SIC) Enhances light transmission and provides sophisticated shade consistency and reduced flare. Exclusive Nikon Silent Wave Motor (SWM) For fast, correct and quiet autofocus. Rounded 7-blade diaphragm Renders more natural look of out-of-focus picture parts. Focus to twenty inches Extends versatility. M/A center of attention mode swap Enables quick response to changing state of affairss between manual and autofocus operation. Flower-shaped lens hood Included HB-35 lens hood colorations the target from unwanted, picture-degrading gentle.. Read more Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras
Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras Spec
New ultra-high ratio zoom lens AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II to be used expressly with Nikon DX-format digital-SLR digital cameras. A number of unique Nikon applied sciences had been developed for, and utilized to, including a excessive zoom magnification of eleven.1x, a Vibration Reduction (VR II) picture stabilization gadget that supplys camera shake compensation an identical to extends in shutter pace by means of four stops, and a Silent Wave Motor (SWM), in addition to a zoom lock switch. Designed expressly to be used with Nikon digital-SLR digital cameras, exceptional image performance is assured. As the compact AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II duvets an especially wide range of focal lengths (18-200mm, similar to 27-300mm in 35mm format; a zoom magnification of 11.1x), it provides superb versatility for quite loads of scenes that embody photographs and panoramas. The addition of a zoom lock change permits photographers to secure the lens barrel at its minimum size, disposing of the natural gravitational effect that can draw the barrel downward all through transport. This lens provides advanced optical performance in a compact measurement of just 77 x ninety six.5 mm, despite a excessive zoom magnification of 11.1x. Nikon's Silent Wave Motor (SWM) guarantees fast and quiet autofocusing. The Vibration Reduction system (VR II) provides digicam shake compensation identical to extends in shutter speed by using four steps. Two Vibration Reduction modes are to be had.
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4.5 Out Of 5 Stars (183 Customer Reviews)
Reviews for Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras (Camera) I consider it used to be Thom Hogan who described this lens as now not perfect however in level of fact good at the entire thing. That's the evaluate in a nutshell.
This is what I would time period a professionalsumer lens. It without a doubt is simply now not cheap but it does no lengthyer have the construct high quality of Nikon's top-of-the-line. The barrel, as an instance, is plastic moderately than metal. I concern that a drop could be catastrophic and even a difficult bang on the threshold of a desk may do serious harm if the lens used to be absolutely extended. On the opposite hand, this lens is rather a lot inexpensive than those in the Nikon pro line. In addition, the lens is so much milder and more uncomplicated to carry than it may be were it made completely of metal.
It is my working out that the one implyingful distinction between this lens (the VR II) and its quick predecessor is the addition of a cam lock to prevent lens creep. My personal pattern doesn't creep at all, even with the cam unlocked but apparently that has been a significant irritant for quite a quantity of patrons.
The use of "VR II" within the title is probably misleading as a end result of it'll lead consumers to believe that the VR gadget has been more desirable over the unique edition. This just isn't the case. Both the unique 18-200 and the model new model contain Nikon's 2nd generation VR machine. Some have suggested that Nikon's advertising and marketing is just a little shady on this level whereas others counter that the "II" merely designates a model new edition.
Sharpness is not up to absolute throughout all the vary however more than enough for the rest that an novice, and even most professionals, is more seemingly to want. There is mild to average distortion, more marked at the focal length excessives however scarcely visible in the vast majority of images and comfortably correctable in Photoshop, DxO, or other post-processing device. Contrast is crisp and I find the lens pretty free of flaring and ghosting.
No one should buy this lens thinking that it will make him/her a better photographgrapher.
Reviews for Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras (Camera) I've used this lens and its predecessor broadly and I've been happy with each. They are clear, correct, and focal pointed. You can discover a zillion evaluates talking about how awesome this lens. I'm going to spotlight the lens' briefcomings. This will no longer be a be all, end all lens. Don't get me wrong, that is my walkaround lens and it stays on my digital camera 75% of the time. But it can be crucial to grasp what this lens is not going to do.
1. Low gentle. This is an issue that plagues any affordable long-range zoom. If you're going to be doing much capturing indoors, at evening, or twilight with this lens, put money into a excellent quality flash.
2. Bokeh. The majority of the out-of-focus fields seem nice. However, if you are capturing extensive open (low f stop) and there is a lot going on in the background (long grass, timber, etc) probably probably the most wonderfulr details may additionally be blurred or on occasion have a unusual halo seem to them. It's now not that big of a topic matter, however it does occur on occasion.
3. Distortion. Very manageable and rarely noticeable for the most phase, but while you shoot things which can be clearly supposed to be very straight (buildings, roads, and so forth)at lower than about 50mm there may be some pincushioning. This is simply correctable in pictureshop.
4. Light falloff. In low-light and long-exposure footage, which you can obviously see some falloff within the nooks. Again, hardly an incredible deal for most photography.
5. Weight. If you might be no longer used to big lenses, this may simply take some getting used to, particularly when you are upgrading from a kit lens.
6. Filters. The 72mm measurement is getting extra widespread, but there still are not just about as many filters to be had as some other dimensions. There are resizing rings to compensate if you have already bought some massiver rings, or are eyeballing something specifically.
Ok, this was not meant to turn you off of this lens, simplest to offer you a grounded feel of what this lens has to offer. It is a superb walkaround lens for everyday use. It can be a truly perfect lens for people taking a look to get their foot within the door with prime high quality lenses without needing spend too so much.
Reviews for Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras (Camera) There are various assessments comparing each characteristic of the lense. They are long, distinct, but more confusing than helpful. So I'll try to preserve it brief.
Let's say you a typical amature photographer. You take all kinds of footage in all kinds of stipulations. So what lense will be the best?
You can more than seemingly live with some minor distortions but no lengthyerhing gives you as so much freedom as a variety zoom. If you shoot within a room, you really need 18 m on a low end. The smaller the number the broader the attitude and the extra folks that you can squeeze into the frame from the other facet of birthday celebration desk. Every mm right here makes a tremendous distinction. So 18 mm on the low end is just about a must have. On the longer end, well, the bigger the simpler. However, if you happen to that also method heavier and it additionally way much more difficult to take excellent footage as a result of on a long zoom range the digicam will get much less mild, it's sensitive to shaking arms and the lense distortion is getting worse. Also it is dearer.
So final analysis is - if that you may probably be able to have the cash for the Nikon 18-200 mm lense - go for it. That can be your single all around lense and also you won't really feel sorry. If it can be too dear - investigate cross-check the 18-105 mm one. Think about it this way - there are various specialized lenses however actually just a few all-around ones. So 80% people in reality have to choose between most effective 3: 18-55, 18-105 and 18-200 and the biggest factor right here is how so much you can manage to pay for. So it can be in actuality now not that complicated.
I few aspect notes.
It's tempting to purchase a couple lenses as an alternative of one. It looks as if you are getting more for much less, however in reality altering lenses will now not be something folks do often. The further lense is heavy, it takes time to alter, every time you're taking a lense off, there's a risk you could get mud throughout the camera - there are a lot of reasons why having two lenses is just no longer the same as one.
Other vendors. You can get less expensive lenses from other dealers like Sigma and many others. I heard mixed stories. Some individuals bought lucky and bought just right glass, some were no longer. If you could try to purchase, you can also wish to take a chance. But Nikon quality control is beautiful good, so there is not so much possibility there.
Protective filter. If you're planning to spend many lots of on a lense, please, do not fail to remember to purchase a excellent protective filter. Something like UV(0) or clear glass. Once you try to wipe out the glass on the lense, the microscratches on surfice will cause all kinds of picture defects so that you must by no implys ever touch the lense glass. The filter is far extra forgiving and it may be replaced easily.
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